01. Moment Musicaux, D780, (OP.94):No.3: Allegro moderato (Franz Schubert) 樂與之時– [麥兜與雞] (舒伯特)
02. Hungarian Dances:NO.5 In G Minor (Johannes Brahms) [匈牙利舞曲]第五號](布拉姆斯)
03. Canon in D (Johann Pachelbel) D大調卡農 (約翰。帕赫貝爾)
04. Orchestral Suite NO.3 in D Major, BWV 1068: II. “Air on the G String” (J.S. Bach) G 弦上的詠嘆調 (巴赫)
05. Bagatelle For Piano In A Minor “FUR ELISE” (Beethoven) 「給愛麗絲」A 小調輪舞曲 (貝多芬)
06. “The Four Seasons - Winter” Op. 8, RV297, III. Allegro (Vivaldi) 「四季」F小調第四協奏曲「冬」 (維瓦爾第)
07. The Nutcracker (Suite), Op. 71a: 2nd movement: March (Tchaikovsky) 「胡桃夾子」 進行曲 (柴可夫斯基)
08. “Träumerei” (“Dreaming” of Scenes from Childhood), Opus 15 (Robert Schumann) 夢幻曲 (舒曼)
09. Piano Sonata No.11 In A Major, K.331: 1st movement: Andante Grazioso (Wolfgang Mozart) A大調第十一號鋼琴奏鳴曲,KV.331第一樂章 (莫札特)
10. The Tale of the TSAR SALAN: The Flight of the Bumble Bee (Nikolai Rimsky- Korsakov) 歌劇:《蘇丹沙皇的故事》「大黃蜂的飛行」(尼古拉,里姆斯基-科薩科夫)
11. The Four Seasons, Spring, Op.8, RV297, I. Allegro (Vivaldi) 「四季」E大調第一協奏曲「春」 (維瓦爾第)
12. Concerto for Flute, Harp and Orchestra in C major KV299, III. Rondeau. Allegro (Wolfgang Mozart) C大調豎琴,長笛協奏曲KV299第三樂章迴旋曲:快板 (莫扎特)
13. Serenade No. 13 in G major KV525 “Eine Kleine Nachtmusik”, III. Menuetto. Allegretto (Wolfgang Mozart) G大調第13號小夜曲, KV525第三樂章小步舞曲:小快板(莫扎特)
14. Concerto for Flute and Orchestra in D major KV314 (285d), III.Rondeau. Allegro (WolfgangMozart) D大調長笛協奏曲,KV314(285D)第三樂章迴旋曲:快板
15. ”Turkish March” Piano Sonata No.11 In A Major, K.331: 3rd movement: Alla Turca- Allegretto (Wolfgang Mozart)「土耳其」鋼琴進行曲 A大調第十一號鋼琴奏鳴曲,KV.331第三樂章 (莫札特)
16. Symphony No.39 in E flat Major, K.543, III. Minuetto: Allegretto & Trio (Wolfgang Mozart)第39號交響曲降E大調K.543 第三樂章小步舞曲:小快板 (莫扎特)
17. Le nozze di Figaro KV492, Overture (Wolfgang Mozart) 歌劇《費加洛的婚禮》序曲,作品492 (莫扎特)
27
走進希望的門 Hope Beyond Reason: Embraced by God's Presence in the Toughest of Times
Pop music is now an ever-present force shaping citizens in the West. Even at funerals, pop music is often requested over hymns. But how does popular music work? And what roles does it play for listeners who engage it? This new addition to the critically acclaimed Engaging Culture series explores the theological significance of the ways pop music is listened to and used today.
The authors show that popular music is used by religious and nonreligious people alike to make meaning, enabling listeners to explore human concerns about embodiment, create communities, and tap into transcendence. They assess what is happening to Christian faith and theology as a result. The book incorporates case studies featuring noted music artists of our day--including David Bowie, Michael Jackson, Sigur Rós, Pete Seeger, Bruce Springsteen, and Lady Gaga--and includes practical implications for the church, the academy, and daily musical listening. It also includes a foreword by Tom Beaudoin, author of Virtual Faith.
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經典的轉生──晚清《天路歷程》漢譯研究 The Afterlife of a Classic: A Critical Study of the Chinese Translations of The Pilgrim's Progress